Caibo Simon Toto Bethzart: The Afro-Venezuelan Pop Duo Explained
Caibo Simon Toto Bethzart represents one of Venezuela’s most influential musical partnerships. The term combines the duo name Caibo with its members—Simón “Toto” Ruiz and Beethzart “Bet” Acosta. Formed in 2005 in Maracaibo, they created “Afro-Venezuelan pop” by blending traditional gaita and calypso with contemporary Latin sounds. Their 15-year collaboration produced three studio albums before they separated in 2024.
Who Are Caibo Simon and Toto Bethzart
Caibo consists of two Venezuelan musicians who revolutionized traditional Afro-Caribbean music. Simón “Toto” Ruiz serves as the primary vocalist and lyricist, known for his charismatic stage presence. Beethzart “Bet” Acosta handles production, arrangement, and provides complementary vocals with a deeper, soulful tone.
The duo’s name comes from Maracaibo, their hometown in Zulia State, Venezuela. By shortening “Maracaibo” to “Caibo,” they created an identity that honors their roots while sounding modern to international audiences. Both artists grew up immersed in Venezuelan folklore and developed a shared vision to preserve traditional sounds for younger generations.
Formation and Early Years in Maracaibo
Caibo officially formed in 2005 when Ruiz and Acosta decided to collaborate full-time. Their early performances took place in local venues across Maracaibo, where they tested their fusion concept with audiences familiar with both traditional gaita and modern pop. The duo spent three years refining their sound before releasing their debut album.
During this period, they studied Venezuelan musical traditions, particularly rhythms native to Zulia State. They learned from local musicians who specialized in gaita, calypso, and tambor—percussion-heavy genres with African roots. Their breakthrough came through social media and digital platforms, which helped them reach Venezuelan diaspora communities across the United States and Latin America.
Musical Style and Cultural Innovation
Caibo created what they termed “Afro-Venezuelan pop”—a genre placing equal emphasis on traditional Venezuelan rhythms and contemporary production. The core elements include gaita percussion patterns, calypso-inspired guitar work, and pop song structures with modern vocal harmonies. Gaita originated in Zulia State and traditionally appears during Christmas celebrations.
Their production style balances acoustic and electronic elements. Most tracks feature live percussion alongside programmed beats. They often layer traditional Venezuelan instruments like the cuatro with electric guitars and keyboards. Lyrically, they focus on universal themes—love, separation, nostalgia—while incorporating Venezuelan idioms and cultural references.
Discography and Career Highlights
Caibo released their debut album “Tres Son Multitud” in February 2009. The album contains nine tracks spanning 33 minutes, introducing their Afro-Venezuelan pop concept to wider audiences. Standout tracks include “Para Que Vuelvas” and “La Vecina,” which became regional hits in Venezuela and Colombia.
Their second album, “Poesía Criolla,” arrived in 2012 and marked their commercial breakthrough. This 12-track album refined their sound and earned recognition as the definitive statement of their artistic vision. Their collaboration with Venezuelan singer Nacho on “Te Llevo en Mi Corazón” (2015) became their most commercially successful single, receiving radio play across Latin America. “El Regalito” (2016) became their third and final studio album, showcasing their range from acoustic ballads to reggaeton-influenced tracks.
The Separation: Why Caibo Split in 2024
Caibo’s separation became public in early 2024 when fans noticed reduced collaborative activity. Unlike many music breakups, theirs lacked public drama or conflict. Both artists addressed the separation maturely, emphasizing mutual respect and creative growth.
The primary reason cited was creative differences. After 15 years of collaboration, Ruiz and Acosta developed distinct artistic visions that no longer aligned under the Caibo identity. Ruiz wanted to explore more introspective, acoustic-driven material, while Acosta leaned toward experimental production and urban Latin sounds. The duo handled their announcement with professionalism, stating they remain friends and haven’t ruled out future collaborations.
Solo Careers: Where They Are Now
Simón “Toto” Ruiz has focused his solo career on acoustic pop with deeper lyrical exploration. His post-Caibo releases feature minimalist production that highlights his vocal ability and songwriting. He performs in smaller venues, creating intimate experiences that contrast with Caibo’s larger productions.
Beethzart “Bet” Acosta has taken a different path, working primarily as a producer and collaborator with other Latin artists. He has been spotted in recording studios in Mexico and Colombia, suggesting international production work. His solo releases incorporate R&B, reggaeton, and electronic elements—a departure from Caibo’s Afro-Venezuelan foundation.
Cultural Impact on Venezuelan Music
Caibo’s contribution extends beyond commercial success. They helped establish “Afro-Venezuelan pop” as a recognized genre, creating a template for other artists to follow. This achievement matters particularly for Venezuelan cultural preservation during a period of significant emigration and social change.
They brought international attention to gaita and calypso—genres previously unknown outside Venezuela. Their collaborations with mainstream Latin artists like Nacho and Maluma exposed millions to Venezuelan musical traditions. For Venezuelan diaspora communities, Caibo provided cultural connection during displacement, reminding expatriates of home while being contemporary enough to share with non-Venezuelan audiences.
Conclusion
Caibo Simon Toto Bethzart’s journey from Maracaibo streets to Latin music recognition demonstrates how cultural preservation and modern innovation can coexist. Their 15-year partnership produced a distinct sound that honored Venezuelan traditions while reaching global audiences. Though they now pursue separate artistic paths, their influence on Afro-Venezuelan pop remains significant.
The duo’s legacy extends beyond their discography. They proved that regional music could compete in mainstream markets without sacrificing authenticity. Both Ruiz and Acosta continue shaping Latin music through their individual work, carrying forward the creative spirit that defined Caibo. Their story reminds us that artistic partnerships can end gracefully while leaving a lasting cultural impact.
Frequently Asked Questions
When was Caibo formed?
Caibo formed in 2005 in Maracaibo, Venezuela, with members Simón “Toto” Ruiz and Beethzart “Bet” Acosta creating their signature Afro-Venezuelan pop sound.
What does Caibo mean?
Caibo is a shortened version of Maracaibo, the Venezuelan city where both members were born and began their musical partnership.
Why did Caibo separate?
The duo separated in 2024 due to creative differences and individual artistic growth needs after 15 years of collaboration, maintaining mutual respect throughout.
What is Afro-Venezuelan pop?
Afro-Venezuelan pop blends traditional Afro-Caribbean rhythms like gaita and calypso with contemporary pop production, creating accessible yet culturally authentic music.
Are Simon and Bethzart still making music?
Yes, both pursue solo careers—Ruiz focuses on acoustic songwriting while Acosta works as a producer and collaborator with other Latin artists.